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Raga Lakshana is the technical boundary of the raga. There are various factors that determine the Lakshana of a raga — the arohana and the avarohana (the ascending the descending order of the scale), the characteristic phrases of the raga, the special distinguishing prayogas, the gamakas peculiar to a particular raga and so on. In fact different gamakas even when applied to the same swara portray different shades and is one of the factors that helps one differentiate between ragas. [ The Hindu: Torchbearer of a great tradition ]
also see carnatic - raga list
2) A Technical Introduction - Shruthi: .....even in Carnatic, we have 12 notes in the octave, even though
they are referred to by 16 names.....If we assign R1, R2 & R3 to the
three possible Rishaba notes and G1, G2 & G3 to Gandhara notes, the
actual pitch of R2 is same as that of G1 and R3 is same as that of G2.
So, instead of 6 possible notes between Sa and Pa, we only have 4 (R1,
R2 or G1, R3 or G2, G3).....
raagam: natabairavi thaaLam: aadhi 1 kaLaisource
1.74. raagam: vaachaSpathi thaaLam: dhEsaadhi
8) Percussion Primer: Suladi Sapta Taala system
Although there are various taala systems in Indian music, like
108 taala system, the suladi sapta taalas (7 different taalas)
most popular in Carnatic music since the time of
Hence I will try to explain this taala system, in which >75% of
Carnatic music is set.
A convenient way to describe this taala system is to enumerate
terms encountered in this framework, and to explain each one.
rAga: bauLi tALa: Adi by Annamacharya ShRIman nArAyaNa ShRIman nArAyaNa ShRIman nArAyaNani ShRIpAdamE SharaNam kamalAShadI mukha kamala kamalahita kamala priyA kamalEkshaNA kamalAsanahita garuDagamana ShRI kamalanAbha nI pada kamalamE caraNam parama yOgijana pAgadhEya ShRI parama purushA parAtparA paramAtma paramANurUpa ShRI tiruvEngkaTagiri dEvA caraNu
===== Ragam DvijAvanthi (JujAvanti) (Melam 28 Harikambhoji) TaaLam Adi Composer: Muthiuswami Dikshitar Deity: Akhilandeswari (Tiruvanaikka near Trichy) Pallavi: ^^^^^^^ AkhilAndEswari Raksha mAm Agama SampradAya NipuNE Sree Anupallavi ^^^^^^^^^^ Nikhila Loka NityAtmikE VimalE NirmalE syAmaLE sakala KalE CharaNam ^^^^^^^^ LambOdara Guruguha PUjitE LambAlakOtbhAsitE HasitE vAgdEvatArAdhitE VaradE Vara Saila rAja nutE sAradE JambAri sambhAvitE JanAraddhana nutE JujAvanti RAga nutE JallI maddaLa jarjjara vAdya nAda muditE JnAna PradE ( source : http://www.caip.rutgers.edu/~nrao/akhilandeswari.txt ) =====